Cameras keep us honest, and photos keep us straight, narrowed in on a 6x8 chiaroscuro or jpg attachment of place -- the condensed cream soup of our day’s doings. Perhaps the camera’s advent was the demise of storytelling as it had been; at the very least, it helped usher in the start of it. Now, we can see for ourselves...we don’t have to be told. And it’s much faster this way (easier too) -- getting right to the point so that we can get on with tweeting, texting, and facebooking -- our life’s stories, incomplete in structure, sentence, and punctuation, showing us as we are --> abbreviated. A picture can indeed sometimes be worth a thousand words, but all too often, we let it do all the talking -- and while talk is cheap, stories are not.
On a Sunday afternoon, warm by late November standards, I walk past a man standing in a river -- the river which I thought I had to myself. Silence echoes above the current, as waters move quietly through the winter months; perhaps not wanting to call attention to the fact that they are still running, and the ice hasn’t quite got the better of them yet; they hibernate, hunker down, and wait...like the rest of us.
A small English Springer Spaniel bitch greets Banjo first, and then me. Her dock tail looks frantic and her eyes smile in chocolate. The wet fringe of her legs and ears clump together into soon to be frozen dreadlocks and Banjo eyes her suspiciously -- as he does every dog who likes getting wet. If she fell in, well ok then, she gets a pass. But her willful romps back to her master through pools which are on her, neck deep, erase entirely the possibility of falling in. Banjo backs away. The man turns around: eyes as chocolatey as his dog’s, a blue-bobble stocking cap and a camouflage canvas jacket. He looks every bit of what my grandmother would describe as a “nice young man” -- yet the kind none of her granddaughters ever seem to bring home to her. This, a result of The Anne of Green Gables complex: wanting Gilbert Blythe, not Fred Wright. But now, I’m on a tangent.
With a wave and a smile, I keep moving on downstream.
Downstream far enough to where I am sure I’ve given the man and his dog enough room and won’t run into them again. He’s moving upstream. I’m moving upstream. All’s well, although it hadn’t ended yet.
I wade in. The water is low, barely over my boots in places, and Banjo follows me out to some rocks forced into the middle from strong spring runoffs. I work a pool, deep with eerie glacial blue-green, its basin boiling up aspen leaves that have been kept underwater between and under rocks, like specimens in formaldehyde. And as the lid is loosened, they float away, looking like the soft yellow underbelly of a brown trout; sumac blushing like the gill plate of a stream-born rainbow -- convincing shadows at which, I set the hook.
The nymphs sink further than I think they will, and on the third drift they snag on the bottom. My annoyed and impatient roll-cast frees both flies, and I shorten up my line a bit before casting again. There’s always some amount of reticence after a snag -- like falling off of horse: you always climb back on, but it takes awhile to get back to a full-on gallop again. Now, I know that the yellow mountain willow branches are behind me, and that the rock at the bottom of the pool is angled upstream, and that the ground, as I learned as a youth, is hard to fall upon.
Mindful of these things, I make another cast and feel the weight of a take and see the flash of a rouge side. I land her, a nice rainbow, and hold her gently in the water as I fumble for my camera in an inside zippered pocket of my vest. She gets away.
“Any luck?”
I look up, and into the face of the man I’d seen earlier in the day with his spaniel, already greeting Banjo again.
“One rainbow. A nice one for this stretch here....eight to ten inches, I’d say. In that pool back a ways, there by that rock face....they make nice deep pools. And you?”
“18 inch rainbow, right around that bend there!”
“Nice!”
“Took me 4 minutes to land her......7X tippet on and all. Ya know at first, I thought I’d snagged the bottom....she just held deep down there. Frozen. Glad I didn’t try to snap her off!”
I chuckle. “That’d be my luck.”
“It’s usually mine. Hey, what’re you using for flies by the way?”
“Nymphs...little tungsten beads for heads.”
“Yeah, me too.”
“Guess we’re doing the right thing then” I smiled, still halfway out in the creek.
“Yeah. Guess we are. Well, see ya around, maybe...”
“Yep. See ya around....”
He turned and with a high careless whistle, the spaniel followed -- and I watched them both until they camouflaged back into the landscape and movement evaporated.
And as I did, I thought about how 100 years ago, we certainly wouldn’t have been lugging cameras around in our fishing vests and pockets. Our catch-of-the-days -- even lives -- would be documented only through memories and words. Often, orally. We would have no physical proof. No evidence. Instinctively though, we want someone to know what we’ve done and what we’ve caught (however not, always, where we’ve gone). We want to tell our fishing stories, and when you don’t have a photograph, words must come out of the darkroom -- as they have for ages past, and will continue to do in ages to come. Why am I so sure? Well it’s really quite simple: I am sure, because fishermen love stories, admiring and relishing one well-told as we admire and revel in a fish well-played. Fly fishing has a history riddled with great literature -- Juliana Berners, Izaak Walton, Robert Traver, Ernest Schwiebert, Norman Maclean, Thomas McGuane, John Gierach, Ted Leeson, Kathy Scott -- it’s shaped our sport. And besides, fishermen also seem to have the creative tendency of developing their own unique standard of measurement (something which making the move to metric wouldn’t fix). You can’t really embellish a photo, now can you ---> but you can in a story to a stranger on a stream.
While photos do capture a sense of place, emotion, and time -- the words said, things learned, and thoughts entered into, and then exited -- these things, no photograph can tell. Not in a thousand words.
Which now, I have gone over.